Ceramics and the theatre

Research Update

After discussions with my supervisory team, I have clarified and finalised my research aims as follows:

  1. To identify how the public arts programme enhances well-being.
  2. To examine the relationship between art-making and well-being.
  3. To demonstrate how the arts programme upholds its principles.
  4. To document the theatre’s renovation process, using its principles to develop a taxonomy of practice applied to my own work and community workshops.

I am also pleased to confirm that my ethics amendment has been approved. Case study forms have been forwarded to Studio Three Sixty, along with interview consent forms for distribution to the participating artists.

The Anthony Hopkins Theatre Tiles: A Connection to Fritz Steller

My recent research focuses on the tiles at Theatr Clwyd’s Anthony Hopkins Theatre. These tiles, crafted by Downing Ceramic Cladding Company Ltd and installed by Hulme & Potts Ltd, are identical in style to those created by Fritz Steller, a pioneering ceramic artist.

Fritz Steller: Innovator of Ceramic Cladding

Fritz Steller (1920–1986) revolutionised architectural ceramics with large-scale works that blended artistry and durability. His Articulation in Movement, created for Huddersfield’s Queensgate Market Hall in the early 1970s, exemplifies his transformative approach. This façade combines nine large, abstract panels (with a later addition), made from an acid-resistant clay mix, fired in custom-built kilns. These tiles were designed to symbolise movement and the market's vibrancy while resisting environmental wear, showcasing Steller's innovative methods and artistic vision.

Steller’s technique, known as Transform, introduced a new era of durable, large-scale ceramic cladding. His philosophy—“art belongs in the heart of the community, where it can reflect the pulse of everyday life”—underscores his commitment to integrating ceramics into public spaces.


Theatr Clwyd’s Tribute to Local and Global Ceramic Traditions

The ceramic tiles at Theatr Clwyd echo Steller’s abstract, textured designs. Their earthy tones and geometric patterns connect the theatre to Wales’ rich clay and ceramic heritage, particularly Buckley’s traditions. As one architect noted, “The tiles at Theatr Clwyd are an expression of place—they anchor the building not only to its physical location but also to its cultural roots in Buckley’s clay industry.”

This design honors local materials while adapting Steller’s transformative ideas, seamlessly blending natural inspiration with creative innovation.

The Legacy of Public Ceramic Art

Theatr Clwyd’s tiles demonstrate how integrating ceramics into architecture enhances cultural spaces, transforming functional structures into artistic statements. These tiles invite viewers to connect with local history, global influences, and the enduring legacy of ceramic art. By adopting Steller’s principles, Theatr Clwyd offers a tangible link between past and present, art and community.

Next time you visit, take a closer look at these remarkable tiles. They embody a timeless narrative, celebrating the beauty of public art and its ability to unite heritage, innovation, and well-being.


New Public Ceramic Art at Theatr Clwyd

It has recently been confirmed that ceramic artist, Frances Priest, will be creating the tiles for the renovations at the theatre for the bar area. 

The theatre's website describes Priest's practice:

"Frances Priest is a leading figure in the world of ceramics with a distinct hand and a clear voice as to the relevance and power of craft in contemporary life. Edinburgh has been her home since she graduated from the Ceramics department at Edinburgh College of Art in 1999. With a practice that spans ceramic art, design and craft, Frances’s work has a keen following from private collectors and cultural establishments alike, for both her studio ceramics and tiled artworks for interiors. Her studio ceramics are part of permanent collections at The National Museums of Scotland, The Fitzwilliam Museum in Cambridge and The V&A in London. She is a Homo Faber selected maker, a QEST Scholar and Member of The Royal Society of Sculptors."


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